
As a Las Vegas concert photographer, I spent last weekend in the photo pit at T-Mobile Arena for the 2026 iHeartRadio Music Festival, my 15th time covering it for iHeartRadio. I’ve been part of this event since its first year, and only a handful of us can say that. Seeing those familiar faces every September, and comparing notes about the long nights, is one of my favorite parts of the weekend.

A Different Approach This Year
The pit here isn’t a straight line in front of a stage. With the thrust and all its angles, lens choice matters, and so does knowing what you want your images to say.

After this many years at this festival, I didn’t feel the pull to chase the standard frames every time, like centered straight down the thrust or the wide with the iHeart coin at the end of it. That freed me up to look for beauty images with a portrait lens.
Why I Chose the 135mm f/1.8
The Nikon Z 135mm f/1.8 S Plena was the right tool. My main goal was catching each artist in that lens’s sweet spot: close enough to fill most of the frame, with the detail in their face, eyes and expression, while a million-dollar production happens all around them.


The separation and bokeh in this setting are primed for it. I wanted a look and feel that went beyond the familiar 70-200mm f/2.8.
Rounding out the kit were a 24-70mm f/2.8 and an adapted F-mount 300mm f/4 for artists with a no-pit rule, when I had to work from further back.

The Tradeoffs of a Fast Prime
A prime means you are the zoom, so I was moving constantly. Getting a moving performer tack sharp at f/1.8 also takes technique, a capable camera, and a bit of luck.

The depth of field is so thin you can land a sharp nose with soft eyes. I’ll take it the other way around any day.
With the Z9 in 3D continuous focus with face and eye detection, in good light like this, nearly all of my frames came out tack sharp.

Performances I Loved
I loved every set, as I always do. Benson Boone was new to my lens and a real standout. He opened Saturday night with nonstop energy, including his signature flip off a piano.

Lainey Wilson, who I really love, was another standout. She brought her usual warmth to the stage and paid tribute to Dolly Parton, calling her a hero and one of her dearest friends.

Zara Larsson was notable too. Her set was one of the brightest of the weekend, with dancers, flower confetti and a fan invited onstage to dance to “Lush Life.”
And it was amazing to see Snoop Dogg up on that stage, especially when Wiz Khalifa joined him for “Young, Wild & Free” and “See You Again.” The two nights also brought Kenny Chesney, Cardi B, Weezer, Goo Goo Dolls, Muse, The Smashing Pumpkins, Ciara, and a surprise appearance by Wiz Khalifa during Snoop’s set, with Ryan Seacrest hosting.


More From the Weekend
Here are more frames from both nights, in the order I photographed them. Friday brought Kenny Chesney, Weezer, Goo Goo Dolls, Cardi B and Zara Larsson, and Saturday ran from Benson Boone through Muse, The Smashing Pumpkins, Lainey Wilson, Ciara and Snoop Dogg.


























Working With a Las Vegas Concert Photographer
If you’re planning a concert, festival or live event and need a Las Vegas concert photographer, I’d be glad to hear about it. You can see more of my work in my photo portfolio or get in touch here.






